Emotions and Feelings
Students may
feel as though they are alone in a world full of people, but this is not
true. We are alike in many ways and all
different. We may go through things differently but we all experience the same
emotions. We are also unique and need to learn to embrace these differences
knowing that everyone is different and strange in their own way. Otherwise we
would all be the same person, which would make the world a very boring and
colorless place. To help my students understand this we will talk about the
enduring idea of feelings and their representations in art, namely in Abstract
Expressionism.
Outcomes
1. Students will interpret and analyze the many
components of a composition to reach
the overall meaning in reference to
emotion.
2. Students will realize that the meaning of
lines and colors are not set in stone.
3. Students will better understand and be able to
interpret color.
Goal
Students will ultimately feel more comfortable
in their bodies and the world by exploring their personal emotions and their
method for handling them.
Artists
Van Gogh
Henry Matisse
Andre Derain
Jackson Pollack
Helen Frankenthaler
Elaine de Kooning
Leonardo Divinci
Vocabulary
Abstract Expressionism
Fauvism
Composition
Line
Warm colors
Cool colors
Outline
The
class will first discuss the many different feelings and how they each affect
their lives. Does the emotion affect how; they act, dress, do their hair, the
faces they use, how they walk, etc. Once we have discussed this as a class they
will split up into groups of three or four and talk about these questions. What
makes you sad or happy or angry? Do you want to feel this way? How do you get
out of these moods or how do you make them last? What makes them worse and what
makes them better?
After we come together and share
some group insights we will view examples of feelings, or emotions, displayed
in art (See list of artists). I want my students to analyze what the feeling of
the paining may be and discuss how the artist reaches this emotion.
What colors are they using? What about their composition makes the audience
feel the feeling? Are they using bold strokes or small precise strokes? What
would happen if you changed one of the components? Would the feeling change as
well?
I
want to steer the students away from the idea that red is always a symbol of
anger. For example when it is mixed to be
a less violent shade it can work for other emotions such as joy, or when it is
grouped with other colors such as yellow, orange, and green it can imply
anything from happiness to growth to summer. The same idea applies with
different types of lines, just because it is horizontal does not mean it only
symbolizes stability just as a jagged line does not always indicate instability
or chaos.
Activity
Using oil pastels and different
kinds of music we will create four different pieces that represent what we are
feeling during each song. Students are free to use any technique or object to
create the feeling.. When we are done (next class) we will come
together and talk about what we think that person was feeling when they drew
the piece. What about the piece makes us think this? What if they would have
used different colors or different lines?
Now
that students better understand how different elements work together to induce or
represent a feeling, they will pick one or two of the pieces they drew and rip or cut them
up, kind of like we did in our collage project, and create a new piece that
represents the emotion you draw out of the hat.
Assessment
After their piece is complete
they will write a paragraph of 3-4 sentences. This should describe the emotion
they represented in their piece and how they created this feeling with their
oil pastel collage. Did the colors help? What about the thickness of the lines?
Or maybe where you put the different colors and lines (this is composition)?
How does knowing that we all have
the same emotions but show them differently make you feel about yourself?
On reflection, this lesson went decently well. To improve from my last lesson, I took Mr. Jenkins advice and used his attention getter to bring the class back to order (Teacher: classity, classity, class. Class: Yessity, yessity, yes.) I also set expectations for how long instruction would take and what the point of my instruction was for the overall activity and lesson. After the lesson ended, Mr. Jenkins proposed that to help the art project move smoother I should have an example of the project for the students to reference. For future lessons I will do my best to employ this advice. Even though I did not have an example, the class exceeded my expectations when interpreting emotions from songs into interesting and expressive compositions made of line and color. Their explanations for how their piece revealed the emotion they felt actually blew me away! Comparing the understanding of composition and depicting emotion from first part of the lesson (creating emotion while listening to music) to the second (ripping up their pieces and reassembling them to create the emotion they were assigned) the students improvement was massive! I thoroughly enjoyed watching the students create their works based on emotion.
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