Nature
Standards
Standard 1
Objective 1E: Create
the appearance of depth by drawing distant objects smaller with less detail than objects in the foreground.
Objective 1F: Establish more natural size relationships among objects in drawings.
Objective 3C: Clean and put back to order art making areas after projects.
Objective 2D: Create a work of art that uses all of the space on the paper.
Outcomes
-Students will realistically draw a landscape from
life that incorporates depth and uses the full sheet
of paper.
-Students will reflect on their relationship with
nature and use watercolor, on their landscape
drawings, to represent it whether
negative or positive.
-Students will correctly learn how to handle
watercolor supplies as well as how to properly clean up.
Vocabulary
1 -Perspective
2 -Foreground
3 -Middle
ground
4 -Background
5 -Realistic/Realism
6 -Landscape
7 -Atmospheric
perspective
8 -Contour
Artists
Landscape Artists
Thomas
Moran
James
McNeill Whistler
Winslow
Homer
Watercolor Artists
Maja Wrońska
Jeanne
Larson
Evelyn
Dunphy
Leading
Questions
1 -What
is nature?
2 -Do
we enjoy nature?
3 -Is
it important to us? Why or why not?
4 -What
does nature do for us?
5 -What
is your personal relationship to nature?
6 -Can
we survive without nature?
Outline
First we will discuss
nature as a class. The leading questions will be addressed and students will be
thinking about how they personally feel about nature throughout the project.
Then we will discuss landscapes. What are landscapes? Do they include buildings
or manmade objects? Is it only nature things? Landscape artists will be shown,
see list of artists. While viewing these images students will be introduced to the
terms of foreground, background, and middle ground. We will also go over
atmospheric perspective and perspective, such as when you are looking from
different angles at the same object or when you are down low by the grass
looking up at the mountains vs if you are standing on top of the mountain. We
will also discuss how we think the artist feels about nature through their
color choices, how they painted it (whether sporadic or inside the lines, misty
or crisp, etc.) We will discuss how to draw realistically. That you have to
draw what you see not what you know, meaning that a majority of the time they
will be attentive to the landscape and not focused on their drawing. To
correctly draw realistically they must follow each line in the landscape with
their eyes as their pencil moves on the paper.
Once
we have discussed landscape students will go outside to realistically draw their
own contour landscapes. They will choose their own perspective and must fill
their entire paper and include a background, middle ground, and foreground.
They will do this using graphite. While they are drawing I want them to
continue thinking about how they feel about nature, and about their
relationship with nature.
When
they are finished we will all come back inside and talk about watercolor, the
techniques (flat wash, dry brush, blotting, layering, etc), artists (again- see
list of artists), and how to properly handle materials (don’t leave brush in
water, get water off brush by scraping on side of cup or on paper towel, don’t
touch the bristles, etc), and clean up (empty cups, clean brushes by swishing
in water and scraping and wiping, wiping down watercolor container, etc).
Finally students will
apply watercolor to their landscape drawings according to how they feel about
nature. For this part of the project they are not required to stay in the
lines, use realistic colors, or even fill the entire page with color. However
they feel about nature should be reflected in how they use the watercolor. They
should be somewhat used to this idea because they have practiced expressing
emotion through color, line, and composition with oil pastels and collage. Once
their watercolors are dry, and if we have time, I would also like them to use
pen and ink to define the lines of their landscape. But this can be their
decision if they want to or not depending on if it works with their idea.
Assessment
While
the students are drawing I will be walking around helping them draw
realistically, giving them pointers and they will constantly be checking if
their drawing matches the landscape and perspective they have chosen. While
handling supplies students will be helping each other use them properly and
help each other clean up correctly. When completely finished, students will
turn to the person beside them and explain how they feel about nature, whether
positive or negative, and explain how their art piece displays this feeling
through the colors, application of paint, strokes, composition of color,
etc.
The students' dedication to drawing what they were actually looking at and not what they thought it looked like was very inspiring. In this project they were able to use previous art knowledge, learned from Mr. Jenkins, by drawing lightly. What Mr. Jenkins calls "sketch lines". This way they are more able to fix mistakes as lighter lines erase easier. They also seemed excited to use watercolor, to try the new techniques I showed them and to layer the different colors to add shadow to their landscapes. Though I think I could have coordinated the watercolor demo better, namely by setting expectations. Such as what behaviors are appropriate during a demo and how long the demo will be so the students don't feel like it is never ending. On later demos I plan to incorporate this idea of expectations into my demos and the rest of my lessons.
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